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mgh2 9 days ago [-]
Props for standing up for the truth
jmspamerton2 9 days ago [-]
[flagged]
fearmerchant 9 days ago [-]
Without examples of the lies it's hard to take his word for it as a disgruntled employee.
iAMkenough 9 days ago [-]
I take it you’re not familiar with his work or the work of the current editor-in-chief.
I’m sure he’ll be taking a significant amount of loyal viewers with him.
nrds 9 days ago [-]
Indeed, given 60 Minutes' historically fraught relationship to the whole concept of "truth", it's hard to credit the whole story.
hn_acker 6 days ago [-]
Here with the benefit of hindsight. A few days after TFA (and Scott Pelley's corresponding original statements on social media) were written, Scott Pelley gave two examples in his interview with Lulu Garcia-Navarro for the New York Times [1]. Interview excerpt below, the second paragraph of which has the examples:
> I felt it was very important to identify that the protesters themselves were being very aggressive and that they were half of these confrontations, and so I instructed my producers to find images in which we see the protesters acting aggressively. We found a picture of a protester chest-bumping an officer. We found a picture of an officer being hit in the head with a snowball. We culled together a lot of video of protesters screaming in the faces of officers because we were going to talk about the killing of Pretti and the killing of Good, and it seemed to me important to tell the audience about the entire context. I thought we’d done a really good job with this. We also included a picture of Alex Pretti before he was killed kicking out a taillight on a police car and made a point of saying, this is Alex Pretti and this is what he did.
> So, the story goes through screenings. It’s very well received. There are notes as always and we do rewrites as always. But this is on a very tight deadline. It’s Sunday; we’re going on the air that night. And in the case of stories that are, as we say, crashing, our deadline on Sunday is noon. So, we work on all of these things. We get the piece approved by everyone. And about four hours after our deadline, Bari Weiss sends an email to my boss, Tanya Simon. Two of the things in the email include, can we make the protesters look more violent? Now, I’m paraphrasing. I don’t have the quote, but that’s what was communicated to me. And the other thing, Renee Good’s car. You need to describe her as driving toward the officer.
> This is not what you see on the video. On the video, you see the officer standing slightly off the front of the car. And you clearly see Ms. Good’s wheels turned completely as far as they will go, away from the officer. But he shoots her in the head, kills her, and says something about her that I can’t repeat in polite company.
> We have gone out of our way in our plan from the very beginning to show the protesters for the responsibility that they had. We had already scrubbed the video archives, looking for those scenes. Somehow that wasn’t enough for Ms. Weiss. The video showed that the officer wasn’t standing in front of the car and she wasn’t driving toward him, but that’s what the president said about that, and that’s the way she wanted it described.
I’m sure he’ll be taking a significant amount of loyal viewers with him.
> I felt it was very important to identify that the protesters themselves were being very aggressive and that they were half of these confrontations, and so I instructed my producers to find images in which we see the protesters acting aggressively. We found a picture of a protester chest-bumping an officer. We found a picture of an officer being hit in the head with a snowball. We culled together a lot of video of protesters screaming in the faces of officers because we were going to talk about the killing of Pretti and the killing of Good, and it seemed to me important to tell the audience about the entire context. I thought we’d done a really good job with this. We also included a picture of Alex Pretti before he was killed kicking out a taillight on a police car and made a point of saying, this is Alex Pretti and this is what he did.
> So, the story goes through screenings. It’s very well received. There are notes as always and we do rewrites as always. But this is on a very tight deadline. It’s Sunday; we’re going on the air that night. And in the case of stories that are, as we say, crashing, our deadline on Sunday is noon. So, we work on all of these things. We get the piece approved by everyone. And about four hours after our deadline, Bari Weiss sends an email to my boss, Tanya Simon. Two of the things in the email include, can we make the protesters look more violent? Now, I’m paraphrasing. I don’t have the quote, but that’s what was communicated to me. And the other thing, Renee Good’s car. You need to describe her as driving toward the officer.
> This is not what you see on the video. On the video, you see the officer standing slightly off the front of the car. And you clearly see Ms. Good’s wheels turned completely as far as they will go, away from the officer. But he shoots her in the head, kills her, and says something about her that I can’t repeat in polite company.
> We have gone out of our way in our plan from the very beginning to show the protesters for the responsibility that they had. We had already scrubbed the video archives, looking for those scenes. Somehow that wasn’t enough for Ms. Weiss. The video showed that the officer wasn’t standing in front of the car and she wasn’t driving toward him, but that’s what the president said about that, and that’s the way she wanted it described.
[1] https://news.ycombinator.com/item?id=48435706
The epistemic signal you await cannot be sent.